03 / BAS ATELIER

Wall Cladding.

Relief at the scale of a room or a building. Conceived with the architecture, developed through drawing and making.

Grazing light across a continuous carved panel wall, with a passing figure for scale — 01 / A continuous sculptural fieldConcept study

Relief / Joint / Surface

The wall,
given depth.

A measured joint. A plane turning toward the light. Individual panels become a continuous field.

Pale mineral contours passing across finely measured panel joints — 02 / The surface, up closeMaterial study

A continuous mineral wall of carved panels, with sweeping relief and precise joints

03 / Architectural surfaces

The surface
made whole.

BAS / A.01Concept study
Not to scale

01 / Oslo

Jonsrudveien
Feature Wall.

A multi-panel relief developed for an interior in Oslo. A mineral-limewash finish carries across the carved planes; concealed mounting holds the composition as one.

Application: Interior feature wall
Finish: Neutral limewash
Photography: At the atelier, before installation

Luis with the assembled Oslo feature wall

Perspective visualization of the complete pale Jonsrudveien relief wall in its interior — Jonsrudveien / Interior visualization

A hand following the depth and edges of the assembled Oslo relief — Oslo / The surface, by hand

Sculptural relief above a long oak dining table in an architectural interior study — At the scale of a roomInterior study

02 / New York

Legion
Chelsea.

At 550 West 21st Street, BAS ATELIER’s sculptural language takes architectural form. Across the gatehouse and façade, carved limestone brings flowing surfaces into a measured grid, giving the building a presence that shifts with the light.

Location: Chelsea, New York
Material: Indiana limestone
Status: In progress

Architectural rendering of 550 West 21st Street, with BAS ATELIER’s flowing limestone relief across the gatehouse beside the residential façade — 550 West 21st Street / Chelsea, New YorkArchitectural rendering

A broad limestone relief study, with flowing carved planes crossing a measured panel grid — The continuous fieldSurface study

Close limestone relief study showing the carved lip, mineral pores and precise meeting of adjacent panels — Depth & jointDetail study

The New York relief maquette in the atelier, developing the composition before its translation into limestone — A composition in developmentAt the atelier

From maquette to limestone

From the hand
to the building.

The work begins in the atelier, where drawings and physical maquettes establish its rhythm and depth. Developed with the architectural team and the stone carvers at Bybee, the composition carries the intimacy of hand-sculpted form into monumental limestone.

Charcoal relief panels in grazing light, revealing the carved ridges, grain and fine joints — A surface held by lightCharcoal study

Further explorations / Concept visualizations

At the scale
of architecture.

Studies in depth, repetition, and the long reach of a shadow.

A passing silhouette beside a monumental relief wall with flowing horizontal planes — 01 / Form at a human scaleConcept visualization

Wall Cladding.

The wall,
given depth.

The surface
made whole.

Jonsrudveien
Feature Wall.

Legion
Chelsea.

From the hand
to the building.

At the scale
of architecture.

Your bag.

Begin a project.

The wall,given depth.

The surfacemade whole.

JonsrudveienFeature Wall.

From the handto the building.

At the scaleof architecture.

The wall,
given depth.

The surface
made whole.

Jonsrudveien
Feature Wall.

From the hand
to the building.

At the scale
of architecture.