Colors / A material study

Color lives
in the surface.

A mineral finish, brushed by hand.
A different depth in every light.

Explore the palette
Raking light revealing the fine limewash grain and carved planes of a relief
Relief / Mineral finish / Grazing light
Ivory, sage and taupe limewash beside mineral pigments in worn metal bowls on a pale textured worktable
Pigment / Lime / WaterMaterial study

01 / The material

Before the
first stroke.

Limewash is a mineral finish made from lime, water, and pigment. We use it for the way it settles into a carved surface: softly uneven, responsive to light.

Its quiet variation gives each plane a depth of its own.

Mixed by hand.Read by the light.

02 / The hand

Layer by layer.

Thin coats follow the carved form, gathering in its recesses and softening across its edges. A slight variation remains. That is part of the work.

Luis brushing limewash onto a carved relief in the atelier
The finish taking shapeAt the atelier
A broad natural-bristle brush passing across a pale relief surface
One pass, then another.

03 / The palette

A tone for your space.

Eleven limewash studies.
Select a color to look closer.

Beverly limewash surface study
01 / BeverlyLimewash / Surface study

Beverly.

A warm neutral with a soft, mineral surface.

Color shifts with light and application. A physical sample, seen in your space, guides the final choice.

BAS ATELIER

Your bag.

A conversation about your space

Begin a project.

Share a little about what you have in mind. We’ll open a draft in your email app so you can add photographs and send it directly to the studio.

info@basatelier.com